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Tech Crew makes the impossible happen
First Work Session: Saturday January 19 9:30-12:00 get
ready for Talent Show more information coming soon
With the Music Department
housed in the theatres until their new spaces were ready, the Tech
Crew had only three weeks to build the set for the recent Fall Play,
Inspecting Carol. Technical Directors Doug Logan and Derek
Morris organized a crew of forty Frosh through Seniors to build
a raked stage in the set designed by Senior Alex Moody.
Lighting Designer Robert
Haggarty worked
with his crew to hang and focus the show within a show. Props Director Mary
Kate Doherty created, and repaired, the ghost’s
white hands among dozens of other props. Alex Dittmer made
the stage collapse safely for the climactic scene each night. Stage
Manager Kristy
Minichiello worked
with Alex Moody to organize the many set changes in the important scene
where the actors did snippets of A Christmas Carol condensed into fifteen
minutes. Lain
Kienzle and Tim Wong operated under the stage to work two
trap doors and two puppets. Kyle Curciarello operated
the lighting computer while Annie Gilbert and Will Cordeniz ran
the spotlights. Most unusual for a play was the large number of sound
effects. Sound Directors Austin
Lin and Will Neuberger, assisted by Engineer Ashley
Anderson,
created a small live sound effects studio backstage, which coordinated
with several electronic sources to deal with overlapping, tightly
cued effects. After a set strike, the Tech Crew moves on to complete
the set for the Frosh/Soph show, Ain’t She Sweet, which opens
November 1. Set Designer Monica
Graham and Lighting Designer Kevin McCotter have
already started on that show with the crew, even working on the Saturday
after running
the Fall show the night before. Technical Advisor David Miller reports
that the crew did an outstanding job. Even more impressive was the
fact that the crew accomplished this in half of the usually allotted
time,
while working
with Brad Balonick on the other show. The Technical
Crew is led by students, who actually do all the lighting, set, sound,
props and special
effects design. They also staff concerts and special events throughout
the year. |